![]() | Malice There is a niche genre in Italian cinema called Giallo, of all movie genres this has got to be my favourite. Giallo best defined is a thriller or if you like a who-dunnit, but Giallo usually goes into slightly different areas, not quite thriller, not quite horror, a twisting and turning story that takes you on a journey unlike many others. There are few examples of successful Giallo in American cinema, despite attempts to replicate this most desired genre. This being said Harold Becker's 1993 movie Malice, is a prime example of an incredibly good attempt. Andy Safian (Bill Pullman) is a hardworking and committed university lecturer, outside of work he is a devoted husband to Tracy (Nicole Kidman). The couple struggle to keep a large house over their heads and to aid this they take in Jed Hill (Alec Baldwin) a well thought after surgeon and old passing acquaintance of Andy. When Tracy needs an emergency operation Jed is the one that carries out the complex surgery which results in Tracy's reproductive organs being removed without her consent. When Tracy awakens she takes the news badly turning on both Andy and Jed, making this a battle over money. In a separate turn of events a vicious serial killer stalks students on the campus, murdering young girls and taking their hair.
Why I feel Malice is comparable to a Giallo movie comes from a surprising coincidence; a movie made just prior to Malice by Italian director Dario Argento, the king of Giallo bares some striking resemblances, that movie was Trauma which in the movies final moments (both movies) as so close in similarity they could almost be the same movie.
Malice gives you a real feeling for the community that the story revolves around, while being a university community (usually involving a big area) you get the feeling that everyone knows one another. The bars are local haunts, and you understand all this small communities' quirks and foibles. You might be wondering why I have gone off on this tangent, I personally feel that this is Malice's greatest strength, showing you a community that you really want to be part of and then screwing with your sensibilities showing you almost an image off hell.
Like every good movie soundtrack is very important and legendary composer Jerry Goldsmiths is no exception, this amazing choir based score is brimming with potential and again adds a new dimension to the movie, it's very innocent sounds adding a degree of the unknown to the film. You might even believe from the score that this were a love movie, and the opening scenes (with the exclusion of a gritty murder) would do nothing to dissuade you that Malice was indeed a love story.
Malice is 14 years old and it seems timeless, it's as fresh now as it was then, lots of the cast have transformed since then, but there is a nice purity to a lot of them especially Kidman and Paltrow. I have seen Malice as many as 10 times since its release in 94, and I still find it as refreshing to watch now as I did then. | ||||||





